Top Ten (currently working) Actors

Thanks to Heather over at Movie Mobsters has devised a list of who she thinks are the top ten currently working actors. After a day of debate on her blog, I thought I’d create my ultimate list so I could have controversy over on my blog. Enjoy dear readers.


10. Willem Dafoe

Career Highlights: The Last Temptation of Christ, Shadow of a Vampire, Platoon, Born of the 4th of July, Spider-Man, eXistenZ, Affliction, Auto-Focus, Once Upon a Time in Mexico, The Clearing, The English Patient, Clear and Present Danger, Wild at Heart, Daybreakers, American Psycho, Antichrist, Off Limits, Mississippi Burning, The Life Aquatic with Steve Zissou, Finding Nemo

Willem Dafoe is a champion of his craft. He’s never been afraid to take on challenging roles that other actors wouldn’t dare to touch. Dafoe has made a career of showing his in-depth range and sheer talent as a performer. He’s remarkable in almost everything he’s shown us. I will see anything that has Willem Dafoe in it.

9. George Clooney

Career Highlights: “ER”, Burn After Reading, Up in the Air, Good Night Good Luck, Solaris, Syriana, Confessions of a Dangerous Mind, Fail Safe, The Thin Red Line, Out of Sight, O Brother, Where Art Thou?, From Dusk Till Dawn

George Clooney has completely transformed himself from a TV actor, to a superstar heartthrob to a Warren Beatty-esq Hollywood tycoon. His performances have become deep and extremely complex and he is the embodiment of a silver screen icon much like Rock Hudson, Cary Grant and Gary Cooper. His charisma and sex appeal often has me questioning my sexuality. George Clooney is a fucking man.

8. Harvey Keitel

Career Highlights: Bad Lieutenant, Mean Streets, Dangerous Game, Taxi Driver, The Last Temptation of Christ, Alice Doesn’t Live Here Anymore, Fingers, Bugsy, Reservoir Dogs, Pulp Fiction, The Piano, Smoke, Clockers, From Dusk Till Dawn, Cop Land, Shadrach, Taking Sides, Fail Safe

To me, Keitel is the cinematic basass that is reminiscent of Lee Marvin, Robert Mitchum and William Holden. He takes roles that no other actor would ever, ever, ever think of taking (aside from maybe Dafoe and Cage). He’s an absolute dynamo when it comes to his performances in Bad Lieutenant, Alice Doesn’t Live Here Anymore, and Dangerous Game. I would not want to fuck with Harvey Keitel.

7. Robert DeNiro

Career Highlights: Mean Streets, Raging Bull, Taxi Driver, Goodfellas, Casino, Cape Fear, Jackie Brown, Once Upon a Time in America, Wag the Dog, The Good Shepherd, Heat, The Godfather Part II, A Bronx Tale, Midnight Run, The Mission, Ronin, This Boy’s Life, Frankenstein, Backdraft, Guilt By Suspicion, Awakenings, Jacknife, The King of Comedy, True Confessions, Falling in Love, The Untouchables, The Deer Hunter

We all know that Robert DeNiro is an amazing actor. His range as an actor is magnificent. He would have made it a lot higher on my list if he hadn’t been working for paychecks the past fifteen years. Yikes…

6. Christian Bale

Career Highlights: American Psycho, Batman Begins, The Dark Knight, The Prestige, Public Enemies, The Machinist, I’m Not There, The New World, Rescue Dawn

Christian Bale is the best young method actor out there. He invests himself so deeply into his roles it reminds me of Daniel Day-Lewis. Most people will often think of Batman when they think of Bale – I on the other hand will always think of Patrick Bateman.


5. Al Pacino

Career Highlights: The Godfather, The Godfather Pt II, Dog Day Afternoon, Serpico, Scarface, Insomnia, Any Given Sunday, Heat, The Insider, Looking for Richard, Glengarry Glen Ross, Dick Tracy, Carlito’s Way, …And Justice for All, Scarecrow, Panic in Needle Park, “Angels in America”, “You Don’t Know Jack”

To me Pacino almost, just almost falls under the DeNiro category since he has pretty much worked for a paycheck the past decade and a half but what saves him is Insomnia and his amazing performance in the Barry Levinson directed HBO film “You Don’t Know Jack”. Pacino is a lion of cinema and remains to be one of the greatest actors in cinema history. The incredible range he shows as Michael in Godfather and then the Michael in Godfather Part II is just incredible.


4. William Hurt

Career Highlights: Body Heat, Gorky Park, Altered States, The Big Chill, The Accidental Tourist, Into the Wild, The Good Shepherd, Syriana, The Village, Rare Birds, Master Spy, Smoke, Dark City, One True Thing, Children of a Lesser God, A History of Violence, Kiss of the Spider Woman, Broadcast News, The Incredible Hulk, “Damages”, “Nightmares and Dreamscapes: From the Stories of Stephen King – segment Battleground”

William Hurt is a pompous actor. He thinks he’s awesome, and well, he is. He remains to be one of my favorite actors, and the roles he’s selected have always touched me. His characters have pulled on my heart strings and have brought deep emotions out of me. I love William Hurt.

3. Jeff Bridges

Career Highlights: The Big Lebowski, Crazy Heart, The Contender, Thunderbolt and Lightfoot, The Last Picture Show, The Fisher King, The Mirror Has Two Faces, Tucker: The Man and His Dream, Jagged Edge, Iron Man, Starman, Fearless, The Muse, The Door in the Floor, TRON, Heaven’s Gate, Seabiscuit, Masked and Anonymous

Jeff Bridges remains to be the biggest influence of my life – even more so than Roger Waters (which I NEVER thought I’d say). His philosophies and his art have really transformed me into someone new. I used to be somebody/Now I am somebody else. With his performances he brings emotions out of me that I never knew I had.

Thank you Mr. Bridges.

2. Peter O’Toole

Career Highlights: Lawrence of Arabia, The Ruling Class, Venus, Bright Young Things, My Favorite Year, The Last Emperor, The Stunt Man, Caligula, Man of La Mancha, Goodbye Mr. Chips, The Lion in Winter, The Night of the Generals, Lord Jim, Becket

How the fuck Peter O’Toole never won an Oscar is far beyond me. This man is an icon and a master at his craft. Sure he’s made bucket loads of shit – but he was fucking Lawrence of Arabia! He was King Henry II! He was Don Quixote! This man is a legend – better yet – a world treasure.

On asked why he didn’t win an Oscar for Lawrence of Arabia: “Because somebody else did.”

1. Daniel Day-Lewis

Career Highlights: Gangs of New York, My Left Foot, The Boxer, In the Name of the Father, Nine, The Ballad of Jack and Rose, The Last of the Mohicans, The Crucible, There Will Be Blood, The Unbearable Lightness of Being, A Room with a View, The Age of Innocence, My Beautiful Laundrette

I have never seen in my life a performer whose total work is so amazing. Whenever I see him in a film, I don’t see Daniel Day-Lewis, I see his character. I’ve seen actors do that before, but not with ever single role they play. Greatest actor ever. Hands down.

Honorable Mentions: Michael Caine, Tom Cruise, Kevin Spacey, Brad Pitt, Jack Nicholson, Christopher Plummer, Robert Downey, Jr., Javier Bardem, Tommy Lee Jones, Sean Penn

Note – I know I’m going to catch shit from all of you, but I don’t think Russell Crowe is that great of an actor. He plays the same character with the exception of The Insider which I think is a remarkable performance.

“The Men Who Stare at Goats” – 2009. Dir. Grant Heslov

With George Clooney, Jeff Bridges, Kevin Spacey, Ewan McGregor, Robert Patrick and Stephen Lang.

“Lieutenant Colonel Django used funds from the project’s black budget to procure prostitutes…”

“That’s a lie!”

“…and drugs for himself and his men.”

“That… well, the hooker thing is definitely a lie.”

“The Men Who Stare at Goats” has to be one of the most disappointing films I have ever seen in my entire life. The story is of a down on his luck journalist (Ewan McGregor) whose wife leaves him for his one armed editor, and he fleas to Iraq to cover the war. He runs into Lyn Cassidy (George Clooney) who was trained as a “Jedi warrior” by the US Government. The two embark on a road trip to who knows where, and during their road trip Clooney reflects back to his recruitment to the “Earth Army” where the squad was lead by Jeff Bridges (in a “Big Lebowski”-esq role). Kevin Spacey plays the hard-on who is trying to derail Bridges and take control of the unit.

This is one of the best acting ensembles in film, but it is utterly wasted on a very incoherent story that lacks narrative. The exception to the wasted cast is Stephen Lang who I thought was downright hilarious and made me laugh with each frame he was in. I’ve always been a pretty big fan of Lang’s, ever since I saw him in Michael Mann’s “Manhunter” and “Crime Story”. George Clooney is the second best part, he’s goofy and insane, and he’s just having fun. To me Jeff Bridges was the real let down. I thought it was going to be fun watching him portray another beatnik. It’s not that he does a bad job; it’s just that the character is poorly written.

Ewan McGregor’s character isn’t needed in the story, and I find his poor American accent tiring. He just doesn’t bring anything to the film. The “Star Wars” references and jokes go over the top. Yeah I get it; McGregor was Obi-Wan Kenobi in the new “Star Wars” trilogy – enough already. Robert Patrick was good for the brief two minutes that he was in, and Kevin Spacey…well…Kevin Spacey. I don’t expect anything from him anymore. I think he’s become so unfathomably arrogant since “American Beauty”. I know he’s running the Old Vic in London and that’s cool, it’s really cool. But come on, has he even gotten close to the talent he holds with any of his films post “Beauty”? “Beyond the Sea” is the only exception.

Yeah the movie is funny at times. The back and forth between Bridges and Spacey is pretty good for the small scene of the military tribunal, and it is funny to see Clooney with a bad wig on but you can’t help but think couldn’t they have gotten a better script? I know its Grant Heslov’s first attempt at directing, but you can’t blame him. He’s been Clooney’s partner since they met on 2000’s live television remake of “Fail Safe” (which is EXCELLENT). He’s worked hand in hand with Clooney on all of his projects since then. It’s just not a very good movie.

I feel bad bagging on the movie because these are all actors I love and respect, especially Bridges. It’s just so incredibly frustrating watching this train wreck of a film. You should expect it to be good with just the cast alone. The one thing I do like about it is imagine how much fun these actors had all working together? They must have had some pretty good times. I found myself not wanting to see it again, aside from maybe a few Stephen Lang parts (the part where he’s reading the book in his backyard about the Russian’s putting cigarettes out on puppies and the look of disgust on his face. Or when Bridges is lecturing the men about peace and harmony and Lang is sitting with a huge smile on his face holding a flower). The fact that the film was loosely based on a true story does intrigue me, but I just can’t imagine how much of it is based on actual events. The last scene of the film was so fucking brutal I couldn’t believe it. I’m really sorry, but skip this one.

Review: 6/10

Top 25 1/2 Performances of the Decade

I intended on making a list of Actor, Actress, Supporting Actor and Supporting Actress (I did start with Supporting Actor). But I thought it would be better to lump them all into one solid and concrete list. I’m sure there is going to be much disagreement. So, let me know what you guys think.

25. – Richard Gere as Billy Flynn in “Chicago”

I honestly think Gere gets a bad rap – he’s an extremely talented actor who began the second act of his career with “Chicago”. They found the most unbelievable actor to sing and dance – and he knocked it out of the park. Gere supports this film on his shoulders and completely holds it together. His performances in this film paved the way for his roles in “The Hoax”, “I’m Not There”, and “Brooklyn’s Finest”. And what’s with “rom-coms”? Can people stop fucking saying that? It’s so annoying.

24. – Anne Hathaway as Kym in “Rachel Getting Married”

I didn’t see this film until about a couple of months ago. I don’t know why I strayed away from it for so long. I’ve always had this love for Jonathan Demme (even though I think “Silence of the Lambs” is grossly overrated and “Manhunter” is a far superior film). The way Hathaway breaks out of her typecast and breaks our hearts is wonderfully painful to watch. A quick note: I love the movie a lot, but the part I find most distracting (no, it’s not the wedding montage, I liked that part) is the actor who plays the best man of the wedding is like this shitty hybrid of George Clooney and Kevin Spacey. Weird.

23. – Ray Liotta as Henry Oak in “Narc”

Ray Liotta has made a whirlwind of shit. He’s always enjoyable for me, even if he is walking through his role in “Wild Hogs”. I can’t help but always be captivated by him, I think he’s an incredible actor and has this way of commanding your attention. His performance in “Narc” is just fantastic. He plays the clichéd rage induced cop who’s seeking the killer of his partner. Liotta gained about 40 pounds for his role – and what adds to the gaining of weight, is the realism of the flashback sequences where Liotta’s character appears fit and trim. If you haven’t seen this film, do so soon.

22. – Robert Downey, Jr. as Paul Avery in “Zodiac”

This seems like an easy sell, Downey, Jr. playing an alcoholic, drug addicted and charming beat reporter. But this was really the first role that he got to sink his teeth into since he’s troubled past. With his past experience with drugs and alcohol I feel as if Downey, Jr. could really play this character that spirals out of control to full authenticity.

21. – Mickey Rourke as Randy the Ram in “The Wrestler”

This is one of the best performances I have ever seen. What keeps this from getting higher on my list is the fact that I’m not sure how much actual “acting” Rourke does. I think he took elements of his personal life and mimicked them to Randy the Ram’s life. I know some people disagree, but I think that Penn’s winning his second Oscar for “Milk” was the correct performance to reward. Without “The Wrestler” Rourke would have fallen back to Eric Roberts land.

20. – Ellen Burstyn as Sara Goldfarb in “Requiem for a Dream”

The fact that Burstyn lost to Julia Roberts makes me sick. I like Julia Roberts, she’s cute, funny, and has an amazing sparkle in her eye. That being said: she’s not an Oscar winning actress (although more so than Bullock or Berry). Ellen Burstyn gives the performance of her career in this film. This film may be the roughy of all roughies – and due to her performance this film will stay in my mind forever.

19. – Daniel Day-Lewis as Jack Slavin in “The Ballad of Jack and Rose”

Day-Lewis gives a remarkable performance in his most flawed film. He balances inner rage and compassionate love for his daughter Rose. You find yourself loathing his character due to his selfishness and incest riddled relationship with his daughter – yet you find it in your heart to forgive him, and to understand his true love for Rose.

18. – Paul Newman as Jack Rooney in “Road to Perdition”

Newman should have won a Supporting Actor Oscar for his performance in this film. I felt that Cooper winning was his make-up Oscar for not even being nominated for “American Beauty”. I feel that Newman gives one of his most subtle performances in this film. He’s the loving father figure to Tom Hanks, but has to chose between his own son (Daniel Craig) and Tom Hanks. One of the most heartbreaking scenes ever filmed is when Tom Hanks finally catches up with Newman.

17. – Daniel Craig as James Bond in “Casino Royal”

This is how you reboot a franchise! I am a James Bond super freak and I own them all. I’ve had a liking for each individual Bond (even George Lazenby). I’ve felt that the producers have always gotten it right for 007. I remember being pissed when they signed Craig, I was a strong supporter of Clive Owen (who I still think would have been a great Bond – check out ANY BMW Films add on Youtube and you’ll see my point). Daniel Craig gives us the perfect James Bond. He’s a stone cold killer. The way James Bond should be.

16. – Christian Bale as Patrick Bateman in “American Psycho”

I want to be Patrick Bateman (well…not the homicidal serial killer part). But deep down inside, don’t we all have an element of ourselves that is Patrick Bateman? Don’t we all from time to time get filled with disgust and greed? Or is it just me?

15. – Cate Blanchett as Sheba Hart in “Notes of a Scandal”

Blanchett is one of the most beautiful women I have ever seen, and she’s one of the greatest ACTORS ever. She’s just remarkable in everything she’s in (well…maybe not that last Indiana Jones movie). As Sheba Hart she engages into an inappropriate relationship with a 14 year old student of hers, which is both erotic and haunting. What she’s doing is wrong, but what gets done to her by Judi Dench is ten times worse.

14. – Alec Baldwin as Juan Tripp in “The Aviator”

Baldwin is remarkable in the way he’s rebuilt his career over the past decade. The guy went from being a tabloids wet dream. His personal life took a tremendous toll on his profession career, but with an Oscar nominated turn in “The Cooler” it spring boarded him into working with Scorsese, Robert DeNiro and his staple, “30 Rock”. As Juan Tripp he’s one of the most menacing corporate villains, standing second only to Gordon Gekko.

13. – Sean Penn as Paul Rivers in “21 Grams”

This is one of the most heartbreaking performances ever. How he won for “Mystic River” over “21 Grams” is bullshit. Probably because it was a Clint Eastwood film.

12. – Daniel Day-Lewis as Bill “the Butcher” Cutting in “Gangs of New York”.

Day-Lewis single handily saves this film from the utter nightmare it could have been. If he wasn’t in this film to counteract the terrible performance of Cameron Diaz and the miscasting of the decade of Leonardo DiCaprio – this film would have been a sheer train wreck of a great director’s most personal project. How he lost to Adrian Brody for “The Pianist”, I’ll never understand.

11. – Ted Levine as The Warden in “Shutter Island”

Levine was only in three scenes in this film. He had only one scene that last about ten minutes with dialogue. This is the perfect example of less is more; by showing us everything about this character without telling us one thing about him. Levine is absolutely jaw dropping in this role. He shows us what a great, great actor he really is. This film should pave the way for meatier roles on the horizon for Levine.

10. – David Strathairn as Edward R. Murrow in “Good Night, Good Luck”

I think there is always hesitation when an actor takes on the role of an icon like Murrow. David Strathairn has always been one of my favorite character actors – from his roles in “Eight Men Out”, “The River Wild” and “LA Confidential”. In “Good Night, Good Luck” he finally becomes the leading man that he deserves to be. He’s absolutely amazing as Murrow and gives the performance of his career.

9. – Heath Ledger as The Joker in “The Dark Knight” and Enis Del Mar in “Brokeback Mountain”

What can I say that hasn’t already been said about his performance as the Joker. I guess the SAG, BAFTA, Golden Globe and Oscar said all that there could be said. And for “Brokeback”, he was overshadowed by PSH for “Capote”. What a shame, a real shame. It’s hard for me to pick which performance of his is better? Sometimes I lean towards The Joker, and other times I lean towards Enis. Face it, they’re both perfect.

8 ½. – Daniel Day-Lewis as Guido Contini in “Nine”

Daniel Day-Lewis is the greatest actor I have ever seen. I will challenge anyone who claims that someone is better. Sure, you can throw around Bogart or Brando or DeNiro. But I will stack his performance in “My Left Foot” and “There Will Be Blood” against any Brando or DeNiro performance. In “Nine” Day-Lewis talks with a genuine Italian accent, and sings (though he’s no Dean Martin) in an Italian accent. He is brilliant in this film, just fucking brilliant.

8. – TIE: Philip Seymour Hoffman and Meryl Streep in “Doubt”

This is truly a team effort. The entire film is a battle of showmanship between Streep and Hoffman. The way they fight each other is as epic as Luke Skywalker battling Darth Vader. The display of their acting craft is monumental, and will bring anyone to their knees. Watch this if you haven’t seen it yet. It’s amazing to watch.

7. – George Clooney as Bob Barnes in “Syrianna”

Clooney completely broke his typecast in this role – more like fucking shattered it. He became an artist that year, actor, producer, director and writer. He’s a marvelous talent. This film is truly an ensemble piece that doesn’t have a lead actor – oil is the main focus and character of the film. But George Clooney brings the house down in his final scene. It floods me with overwhelming emotion every single time I see it.

6. – William Hurt as Richie Cussak in “A History of Violence”

This is the biggest example of less is more. The little screen time that Hurt is given, he uses it to the extreme. He’s absolutely unbelievable, and I think his character is much like that of Col. Kurtz in “Apocalypse Now”, he’s the final trial of the main character’s journey to return home to his family. His performance is burned into my brain. There are very few actors with raw talent like William Hurt.

5. – TIE: Christoph Waltz as Col. Hans Landa in “Inglorious Basterds” and Javier Bardem as Anton Chigurh in “No Country for Old Men”

This is much like Ledger’s role in “The Dark Knight”. There’s nothing more I can say about their PERFECT performance. There is a reason both of them swept critics awards, won the SAG, Golden Globes, BAFTA and Oscar. This was their major introduction to American audiences. That’s one helluva break through! To be honest, I do have to give the edge to Waltz. He’s amazing.

4. – Julianne Moore as Charlie in “A Single Man” and for Cathy Whitaker in “Far From Heaven”

Academy, please give her an Oscar already! I don’t care if it’s for a lifetime achievement award! Just someone, do something! She’s absolutely brilliant. ‘Nough said!

3. – Colin Firth as George in “A Single Man”.

Colin Firth gave a performance like nothing I’ve ever seen before. I’ve never see a performance that is so…empty. He’s unbelievably touching and gives a beautiful performance that brings me to my knees each time I see it. We need to see more Colin Firth. Now.

2. – Jeff Bridges as Ted Cole in “The Door in the Floor”

This is hands down Jeff Bridges finest performance. If you ever want to see an excellent, perfect, mind boggling performance, try and seek out Tod Williams’ “The Door in the Floor”. Bridges is heartbreaking, just plain heartbreaking. Ted Cole will stay in your heart forever.

1. – Daniel Day Lewis as Daniel Plainview in “There Will Be Blood”

This is the biggest tour-de-force performance ever on screen.

Oscars: Predictions and Thoughts.

Best Picture Nominees:

I would first like to say that the fact the Academy decided to have ten Best Picture Nominees completely cheapens the award. I am disgusted that “The Blind Side” was nominated, but “Nine”, “The Road” and “A Single Man” weren’t. Also: “Bad Lieutenant: Port of Call New Orleans”, “Antichrist” and “The Watchmen” are just as deserving but unrealistic. My theory for “Inglorious Basterds” winning the gold is that the Academy voters will split between “Avatar” and “The Hurt Locker” and “Basterds” could eek by. If “The Hurt Locker” didn’t exist, “Avatar” would win hands down, and the same would go for “The Hurt Locker” if “Avatar” didn’t exist. I do also think that since that producer of “The Hurt Locker” sent out that mass email to the Academy voters saying they should vote for the small film instead of the 500 million dollar film will hurt their chances as with voters who had yet to cast their ballot. The Academy likes to be romanced and courted – not be told what to do. I just can’t see the Academy giving the most prestigious film award to a film that grossed a minimal amount of money. If “The Hurt Locker” does win, it will be the lowest grossing Best Picture winner of all time. “Basterds” is an interesting film, when I saw it in theaters I didn’t like it very much, I thought it was long and very extreme. It got mixed reviews at the time of its release too, but now everyone loves it. It won Best Ensemble at the Screen Actors Guild which is a somewhat odd barometer for Best Picture. When I purchased “Basterds” on DVD, I watched it over and over again. It holds up well to repeat viewings and is so goddamned enjoyable. I think that many people feel that Tarantino is long overdue for an Oscar, even though he already as an Original Screenplay Oscar for “Pulp Fiction”, but let’s face it, “Pulp Fiction” should have won everything 15 years ago. But, if critics ran the Oscars, “The Hurt Locker” would win hands down.

What I think will win: “Inglorious Basterds”

What should win (that’s nominated): “A Serious Man”

My personal pick: “A Single Man”

Best Director:

I like the nominees for best director. If you want to know what the “real” Best Picture Nominees are, just look at the five directors nominated. In a perfect world where I had a say, the Nominees would have been: Tom Ford, Quentin Tarantino, Joel & Ethan Coen, James Cameron and Rob Marshall.

Who I think will win: Kathryn Bigelow for “The Hurt Locker”.

Who should win (that’s nominated): Quentin Tarantino for “Inglorious Basterds”.

My personal pick: Tom Ford for “A Single Man”

Best Actor:

Best actor seems to be a lock this year. The only upset I could see happening with this category would be Colin Firth. I am a HUGE Jeff Bridges fan, and I believe he is long overdue for an Oscar – but I don’t think he gave the best performance this year. The top four nominees had been set in stone with: Jeff Bridges, George Clooney, Colin Firth and Morgan Freeman. The fifth, Jeremy Renner – who was very good in “The Hurt Locker” – isn’t as deserving for a Best Actor nomination as Daniel Day-Lewis (“Nine”) or Viggo Mortenson (“The Road”) or even Nicholas Cage (“Bad Lieutenant: Port of Call New Orleans”). Cage did win the Toronto Film Critics Circle, which should count for something – right?

Who I think will win: Jeff Bridges for “Crazy Heart”.

Who should win (that’s nominated): Colin Firth for “A Single Man”.

My personal pick: Colin Firth for “A Single Man”.

Best Actress:

This has been the most interesting category as far as tracking goes this year. Meryl Streep seemed to have it in the bag – until she was blindsided by Sandra Bullock (I’m sorry, I had to do it…). I think this is the weakest category this year; Streep gives a very good performance, but not nearly as good as her previous performance in “Doubt”. Carey Mulligan was good in “An Education”, but the film itself left me bored and waiting for it to be over. I have not seen “The Blindside” – nor will I. I refuse to be pulled into this celebration of mediocre filmmaking that rests itself on pappy crap. Helen Mirren seems like the odd nomination here considering everything I’ve heard about “The Last Station” is that it’s a train wreck of a film but is brilliantly acted.

Who I think will win: Sandra Bullcok for “The Blindside”.

Who should win (that’s nominated): Meryl Streep for “Julie and Julia”.

My personal pick: Charlotte Gainsbourg for “Antichrist”.

Best Supporting Actor:

This category lacked acknowledging a few performances I would have liked to have seen nominations for: Mathew Goode for “A Single Man”, Jackie Earle Haley for “Watchmen”, Robert Duvall for “The Road” and Colin Farrell for “Crazy Heart”. The only one of those I thought might have grabbed that fifth spot would have been Duvall for “The Road”. I know he had minimal screen time in “The Road”, but the Academy loves supporting performances from well respected actors, think about it: Alan Arkin (“Little Miss Sunshine”), William Hurt (“A History of Violence”), Hal Holbrook (“Into the Wild”), James Coburn (“Affliction”) although I suppose this year it’s Christopher Plummer for “The Last Station”. I think Waltz is pretty much a lock, since he’s won every single award for his role in “Basterds”, but if anyone can beat him, it will be Plummer – and if Plummer does win, it will be strictly for merit for his long and distinguished career. One thing I would like to note is that Stanley Tucci is the only redeeming factor in “The Lovely Bones”, it’s a film that is wretchedly horrible. Tucci turned out two very good performances in “Bones” and “Julie and Julia”. I think his performances are equally as great, but he should have been nominated for “Julie and Julia” if only to be spiteful. I would have also liked to see Brad Pitt be nominated for “Basterds”.

Who I think will win: Christoph Waltz for “Inglorious Basterds”.

Who should win (that’s nominated): Christoph Waltz for “Inglorious Basterds”.

My personal pick: Christoph Waltz for “Inglorious Basterds”.

Best Supporting Actress:

This category has the lamest nominees, I’m sorry but it does. When Mo’Nique was acting like a diva a couple of months ago, and not promoting “Precious” and not showing up to collect her awards I thought for sure the Academy would resent her behavior and not award her the Oscar (kind of like Eddie Murphy’s behavior problems when he was nominated for “Dreamgirls”). I also thought that “Nine” would garnish two, if not three Best Supporting Actress nominations; but this was before it got a much unwarranted and undeserving backlash from critics. I think Cruz should not have been nominated for the film, if anyone I would have wanted Judi Dench. I thought Sofia Loren would have gotten nominated as well, considering she’s the last of the Golden Age of Hollywood, much like Plummer. I thought Loren would have followed in line with Lauren Bacall’s nomination for “The Mirror Has Two Faces” and Gloria Straut’s nomination for “Titanic”. I was wrong, very wrong. I think Julianne Moore was snubbed for “A Single Man” and Vera Farmiga’s nomination is undeserving, and she should have been nominated for “The Departed”. If anyone can upset Mo’Nique it would be Anna Kendrick. I think the other obvious Oscar snub is Melanie Laurent for “Inglorious Basterds”. Also remember, there have been previous Supporting Actress surprises before, Marcia Gay Harden for “Mystic River” and Tilda Swinton for “Michael Clayton”. Also: Maggie Gyllenhaal’s nomination for “Crazy Heart” is the one sleeper nomination I was telling everyone about, although my sleeper pick was Duvall for “The Road.

Who I think will win: Mo’Nique for “Precious” (I refuse to type the full title because that is contrived).

Who should win (that’s nominated): Mo’Nique for “Precious”.

My personal pick: Julianne Moore for “A Single Man”.

Best Original Screenplay:

This category seemed to be a lock for Tarantino, but the tides are slightly turning. The more weight that’s being pulled by Tarantino for Best Picture, is pulling “The Hurt Locker” closer to Best Original Screenplay. Face it, they have to award “The Hurt Locker” – even though Bigelow seems to be the frontrunner (with a possible upset by Cameron), the Academy still has to award this film another prominent award. I have always felt that this category is a runner up for Best Picture. I almost want to say if Tarantino wins for this award, “The Hurt Locker” has it in the bag for Best Picture, but if “Locker” wins this award it should give a slight edge to “Basterds” for Best Picture.

Who I think will win: “The Hurt Locker”.

Who should win (that’s nominated): “A Serious Man”.

My personal pick: “A Serious Man”.

Best Adapted Screenplay:

I have not seen “In the Loop” but I hear nothing but great things from my friends Kevin and Peyton. I will watch it before Sunday. I think this award is pretty much a lock for Jason Reitman since “Up in the Air” won’t receive any other major awards. I’m not sure how to feel about Jason Reitman. I thought “Thank You for Smoking” was very good and “Up in the Air” is phenomenal; as for “Juno” I couldn’t stand it. I thought it was contrived and smug and I couldn’t sit through it. Reitman is the greatest example next to Sofia Coppola of nepotism. The hard part is, they are two of the most talented filmmakers of our generation. How could Reitman not finance or be able to distribute his films? His father is Ivan “Ghostbusters” Reitman. I also think “The Road”, “Nine” and “A Single Man” should have been considered for this category too, especially “A Single Man”.

Who I think will win: “Up in the Air”.

Who should win (that’s nominated): “Up in the Air” – pending a viewing of “In the Loop”.

My personal pick: “A Single Man”.

Best Cinematography:

This and editing are my two favorite technical awards. I think this can help make a good movie great, or a great movie good. I haven’t seen any “Harry Potter” films, or “The White Ribbon”. I think that “Bad Lieutenant: Port of Call New Orleans”, “A Single Man”, “The Road” and “Antichrist” should have been nominated, but what can I say… I will see “The White Ribbon” before Sunday as well.

Who I think will win: “The Hurt Locker”

Who should win (that’s nominated): “Inglorious Basterds”.

My personal pick: “Antichrist”, but more realistic: “A Single Man”.

Best Editing:

Editing is a tough category because it’s so difficult to be perfect. What’s distracting to me is when there are simple mistakes. Take for example “The Departed”, during the opening scene with Nicholson doing his voiceover monologue towards the end when we see him from behind, looking over his shoulder as he’s walking towards a young Matt Damon, Nicholson is talking and has a cigarette in his mouth. When the shot cuts to a point of view shot from young Matt Damon to Nicholson, he doesn’t have a cigarette in his mouth as he finishes his line of dialogue. Come on! That is so simple to fix! Why leave it? That being said, I looooove Thelma Schoomaker, Scorsese’s long time editor and friend. Its simple things like that, which can ruin certain parts of movies for me. A good way of watching for good editing is if a lot of characters smoke watch for the continuity of the length of cigarette, and the characters inhaling and then exhaling the smoke. A lot of movies fall victim to “magic cigarettes”, much like “The Usual Suspects” when the “suspects” all leave the jail after the famous line-up scene, Gabriel Byrne is outside on the steps smoking while his girlfriend is talking to him, and Byrne watches the other “suspects” and cuts between them watching Bryne, and Byrne watching them. There is no continuity of Byrne inhaling, and continuously exhaling the smoke. The director’s commentary is funny due to the fact of Bryan Singer making fun of the scene because Byrne is smoking a “magic cigarette”.

What I think will win: “The Hurt Locker”

What should win (that’s nominated): “Inglorious Basterds”

My personal pick: “Nine”.

Best Art Direction:

At least “Nine” got this nomination! Boo-ya! That being said, “A Single Man” should win, but once again it’s not nominated.

What I think will win: “Avatar”.

What should win (that’s nominated): “Nine”.

My personal pick: “A Single Man”.

Best Costume Design:

Here’s where my frame of reference starts to wear. I haven’t seen a lot of the films in the tech categories, so I shall do my best.

What I think will win: “Nine”.

What should win (that’s nominated): “Nine”.

My personal pick: “A Single Man”.

Best Make-up:

What I think will win: “Star Trek”.

What should win (that’s nominated): Anything but Star Trek.

My personal pick: “Watchmen”.

Best Original Score:

Once again, “A Single Man” was snubbed. I am actually really surprised it wasn’t nominated in this category, it was incredibly haunting, and filled with deep emotion.

What I think will win: “The Hurt Locker”.

What should win (that’s nominated): I can’t make a prediction since I haven’t seen most of the nominees.

My personal pick: “A Single Man”.

Best Original Song:

This is an easy one with very little competition. I really hope they go back to having each individual song performed by each nominee, but I don’t think it will happen.

What I think will win: “The Weary Kind” from “Crazy Heart”.

What should win (that’s nominated): “The Weary Kind” from “Crazy Heart”.

My personal pick: “The Weary Kind” from “Crazy Heart”.

Best Animated film:

Shouldn’t “Up” automatically win since it’s the only animated film nominated for Best Picture? I know there was an oddity at the BAFTA’s that my friend Kevin told me about, but seriously!

What I think will win: “Up”.

What should win (that’s nominated): Pending my viewing of “The Fantastic Mr. Fox”.

My personal pick: Pending.

For the rest of the categories, I believe “Avatar” will win all the sound and visual awards. As for short films, I haven’t seen any. And as far as documentary’s go, I’ve always seen “Food, Inc.” and from the best of my knowledge, “The Cove” is probably going to win.

I really hope the Academy goes back to showing clips of each actor for each category, but I’m not sure what the final word is on that either. What I am truly looking forward to is Alec Baldwin and Steven Martin hosting. What a treat that is! Please, please, please Academy! Don’t leave me bitter this year!

Let me know what you guys think. I will try and proofread at the best of my ability!


Male Performances of the Year…Thus Far.

I still have yet to see some films that I need to make full judgment on what the best lead and supporting performances of the year are.  But with what I’ve seen, here is my list.  Expect this post, and my Top Ten of Year for films to be updated.

Lead Actor

Colin Firth as George in “A Single Man”.

Willem Dafoe as He in “Antichrist”.


Jeff Bridges as Bad Blake in “Crazy Heart”.

George Clooney as Ryan Bingham in “Up in the Air”.

Nicholas Cage as Lt. Terrance McDonagh in “Bad Lieutenant: Port of Call New Orleans”.


Supporting Actor

Christoph Waltz as Col. Hans Landa in “Inglorious Basterds”.


Colin Farrell as Tommy Sweet in “Crazy Heart”.

Mathew Goode as Jim in “A Single Man”.


Brad Pitt as Lt. Aldo Raine in “Inglorious Basterds”.

Val Kilmer as Stevie Pruit in “Bad Lieutenant: Port of Call New Orleans”.

Stanley Tucci as Paul Child in “Julie and Julia”


Top Ten of the Year (Thus Far)

Top Ten Films of the Year

Here’s my top ten of the year thus far.  The notable films that I haven’t seen yet include “Nine”, “Avatar”, “An Education” and “Invictus”.  I would only assume that Avatar will make the cut, and maybe some more films.  So please dear reader, stay tuned.

1. “Antichrist” Dir. Lars von Trier.  With Williem Dafoe and Charlotte Gainsbourg.

2. “A Single Man” Dir. Tom Ford.  With Colin Firth, Julianne Moore and Mathew Goode.

3.  “Up in the Air” Dir. Jason ReitmanWith George Clooney, Vera Farmiga, Jason Bateman and Anna Kendrick.

4.  “Inglorious Basterds”.  Dir. Quentin Tarantino.  With Brad Pitt, Christoph Waltz, Melanie Laurent, Michael Fassbender, Eli Roth, and Til Schweiger.

5.  “Bad Lieutenant:  Port of Call New Orleans” Dir. Werner Herzog.  With Nicholas Cage, Eva Mendes, Xibit, and Val Kilmer.

6.  “The Watchmen” Dir. Zach Snyder.  With Billy Crudup, Jeffery Dean Morgan, Patrick Wilson, Mathew Goode and Jackie Earl Haley.

7.  “The Girlfriend Experience”  Dir. Steven Soderbergh.  With Sasha Grey and Chris Santos.

8.  “Taken” Dir.  Pierre Moral.  With Liam Neeson, Famke Jassen, and Xander Berkeley.

9. ????

10. ????