“Alice Doesn’t Live Here Anymore” – 1974. Dir. Martin Scorsese

With Ellen Durstyn, Kris Kristofferson, Alfred Lutter III, Billy Green Bush, with Harvey Keitel Jodie Foster, and Diane Ladd.

“So who’s stoppin’ ya?… Pack your bags; I’ll take you to Monterey… I don’t give a damn about that ranch.”

-David (Kris Kristofferson)

Alice Hyatt is on her own. Her dominant husband (Billy Green Bush) just died in a car accident and Alice her young son Tommy (Alfred Lutter III) are left to fend for themselves. Alice then embarks with Tommy to travel to Monterey so Alice can start a career as a singer.

Alice arrives in Phoenix where she gets a job at a bar singing and she meets a young and suave man named Ben (Harvey Keitel). Alice starts to feel like she’s beginning to stabilize her life. Things seem to be going well with her singing in a bar and her relationship with Ben.

Ben’s wife eventually shows up and asks Alice to stop seeing him. Alice is unaware that Ben was married and she is mortified. Ben shows up at Alice’s hotel room. He demands to be let in and when he’s not he busts open the door and chases after his wife, knocking her to the ground and kicking her out of the door. He then turns his rage on Alice and begins screaming at her and threatens her with fatal violence. Harvey Keitel is frightening in this scene.

Alice once again picks up and now travels to Tucson where she gets a job at a diner. Diane Ladd is the matriarch of the diner and Alice reluctantly allows Ladd to take her under her wing. She meets David (Kris Kristofferson) who is the embodiment of the ideal man who walks through fire to court Alice.

Alice’s son Tommy meets a girl a little older then him (Jodie Foster) and the two of them begin to pal around and muse about life together. I can’t stress this enough, but Alfred Lutter is amazing in this film. I am so impressed with his acting.

This is a film that was a passion of Burstyn’s. She found the script and wanted to make the film more than anything. She was looking for a young and creative director to make the film, she phoned Francis Ford Coppola to get his advice and he told her to watch the film “Mean Streets”. Scorsese was quickly hired to direct the film and asked Burstyn to teach him about women.

This is the first film to deal with the woman’s movement – dealing with the independence of women. The entire point of the film is that a woman can support herself, that she can survive without a man and still raise her son on her own. Ellen Burstyn gives one of the best performances that I have ever seen (which she won an Oscar for). She is absolutely delightful in this film.

The acting in this film is what stands out above the screenplay and Scorsese’s direction. Burstyn gives a great performance that is so symbiotic with the other actors in the film. Alfred Lutter who plays her son is such a wonderful actor and holds his own against Burstyn. Harvey Keitel is just tough as nails (when isn’t he?) and Kris Kristofferson brings the house down.

The climactic showdown between Burstyn and Kristofferson in the diner is a wonderful scene. The dialogue is so rich and real – it makes us completely understand both of these characters. Emotion just flows out of both of these two great actors and we are completely taken by them the entire film. We are rutting for Alice to get to Monetary – yet we are rooting for David to get Alice to stay and live with him on his ranch.

This film is very important for women’s liberation – but I also think it’s a film about wanting/needing/deserving a second chance. I’m not sure what to call this genre but it’s very important and it’s very surreal.

This film is brilliantly crafted by Scorsese’s direction. Even though this isn’t a personal film for Scorsese, he puts his own label on it. He makes it his own. The opening credit sequence is a wonderful homage to “The Wizard of Oz” and the long takes and steady cam shots that Scorsese uses lets us know it’s his film without us knowing it’s his film.

Review: 9.5/10


“W” – 2008. Dir. Oliver Stone.

With Josh Brolin, Richard Dreyfuss, Ellen Burstyn, James Cromwell, Jeffery Wright, Thandie Newton, Bruce McGill, Elizabeth Banks, Toby Jones, Stacey Keach and Scott Glenn.

“Whose job is it to find these damn weapons?”

When it was announced that Olive Stone was going to direct a biopic about George W. Bush, I was excited. I am a gigantic fan of “Nixon” his other presidential biopic and due to the fact the screenplay was written by Stanley Weiser who also wrote Stone’s “Wall Street”. It seemed like a collaboration made in heaven.

The film is set up nicely, the way it crosscuts back and forth between Bush (Josh Brolin) being pulled by his posse into a war in Iraq and plans to invade Iran to Bush’s slow rise of becoming a born again Christian and politician. We see a young Bush not being able to hold job after job and disappointing his father (James Cromwell).

We all know the story of George Bush. It’s all too fresh. . A lot of the film feels like satire – even a comedy – which I think was a mistake. I understand that a lot of what Bush says is dumb due to his intelligence, but most of Brolin’s dialogue is a running joke with famous Bushisms.

The cast is a wonderful ensemble of good quality actors but it seems to misfire. I found that the best casting was Richard Dreyfuss as Dick Cheney. I’ve said it before, and I’ll say it again – Dreyfuss’ character in Rob Reiner’s “The American President” was based off of Cheney – so Dreyfuss was a perfect fit. Next to that excellent selection was Scott Glenn as Secretary of Defense Donald Rumsfeld. The ironic thing is Glenn was a Marine who served overseas while the real Donald Rumsfeld somehow evaded the draft (as did Cheney). I couldn’t help but think a slimmed down Nick Nolte or Tommy Lee Jones would have made a pretty good Rumsfeld too.

Brolin gives a good performance but the problem that I have is that all I see is Josh Brolin, I didn’t see George W. Bush. He’s more than capable to soak himself into characters (“No Country for Old Men” and “Planet Terror”). As Bush he just seemed as if he was an impersonator. Jeffery Wright who I like very much gave an unbelievable performance as General Colin Powell. General Powell is a man of great intellectual strength and physical dominance – Jeffery Wright is a small man, and his brooding, husky voice was distracting. I couldn’t help but think that Dennis Haysbert would have been perfect for the role.

A pretty impressive ensemble playing dangerous people.

Veteran character actor Bruce McGill was cast perfectly as fall guy FBI Director George Tennet and so were James Cromwell and Ellen Burstyn as George H. W. and Barbra Bush. Thandie Newton gives a horrifically great performance as Condoleezza Rice – the token minority that was stuffed into Bush’s cabinet. The one casting that was distractingly horrid was that of Ioan Gruffudd as Prime Minister Tony Blair. Michael Sheen wasn’t available?

The film seems to take light brush strokes on a majority of defining moments of the Bush Legacy. It’s not epic enough. The film seemed to breeze by and wasn’t sincere enough. One thing I did really like was that this film didn’t vilify Bush; it didn’t take a huge shit on him. You actually feel bad for him. He’s a good hearted person who just gets pushed and pulled by Cheney, Rumsfeld and Paul Wolfowitz.

Stone has always made films that deal with our current status in America (even “Alexander” had themes of over extending an empire). He uses a lot of his wonderful filmmaking skills in the film, but it just lacks an overall dramatic substance that’s a staple of his films. It just felt as if he was going through the motions and he wasn’t as passionate about this film as he was with “Nixon”.

But to give Stone credit, the last scene of the film is powerful.

Review: 7/10

Top 25 1/2 Performances of the Decade

I intended on making a list of Actor, Actress, Supporting Actor and Supporting Actress (I did start with Supporting Actor). But I thought it would be better to lump them all into one solid and concrete list. I’m sure there is going to be much disagreement. So, let me know what you guys think.

25. – Richard Gere as Billy Flynn in “Chicago”

I honestly think Gere gets a bad rap – he’s an extremely talented actor who began the second act of his career with “Chicago”. They found the most unbelievable actor to sing and dance – and he knocked it out of the park. Gere supports this film on his shoulders and completely holds it together. His performances in this film paved the way for his roles in “The Hoax”, “I’m Not There”, and “Brooklyn’s Finest”. And what’s with “rom-coms”? Can people stop fucking saying that? It’s so annoying.

24. – Anne Hathaway as Kym in “Rachel Getting Married”

I didn’t see this film until about a couple of months ago. I don’t know why I strayed away from it for so long. I’ve always had this love for Jonathan Demme (even though I think “Silence of the Lambs” is grossly overrated and “Manhunter” is a far superior film). The way Hathaway breaks out of her typecast and breaks our hearts is wonderfully painful to watch. A quick note: I love the movie a lot, but the part I find most distracting (no, it’s not the wedding montage, I liked that part) is the actor who plays the best man of the wedding is like this shitty hybrid of George Clooney and Kevin Spacey. Weird.

23. – Ray Liotta as Henry Oak in “Narc”

Ray Liotta has made a whirlwind of shit. He’s always enjoyable for me, even if he is walking through his role in “Wild Hogs”. I can’t help but always be captivated by him, I think he’s an incredible actor and has this way of commanding your attention. His performance in “Narc” is just fantastic. He plays the clichéd rage induced cop who’s seeking the killer of his partner. Liotta gained about 40 pounds for his role – and what adds to the gaining of weight, is the realism of the flashback sequences where Liotta’s character appears fit and trim. If you haven’t seen this film, do so soon.

22. – Robert Downey, Jr. as Paul Avery in “Zodiac”

This seems like an easy sell, Downey, Jr. playing an alcoholic, drug addicted and charming beat reporter. But this was really the first role that he got to sink his teeth into since he’s troubled past. With his past experience with drugs and alcohol I feel as if Downey, Jr. could really play this character that spirals out of control to full authenticity.

21. – Mickey Rourke as Randy the Ram in “The Wrestler”

This is one of the best performances I have ever seen. What keeps this from getting higher on my list is the fact that I’m not sure how much actual “acting” Rourke does. I think he took elements of his personal life and mimicked them to Randy the Ram’s life. I know some people disagree, but I think that Penn’s winning his second Oscar for “Milk” was the correct performance to reward. Without “The Wrestler” Rourke would have fallen back to Eric Roberts land.

20. – Ellen Burstyn as Sara Goldfarb in “Requiem for a Dream”

The fact that Burstyn lost to Julia Roberts makes me sick. I like Julia Roberts, she’s cute, funny, and has an amazing sparkle in her eye. That being said: she’s not an Oscar winning actress (although more so than Bullock or Berry). Ellen Burstyn gives the performance of her career in this film. This film may be the roughy of all roughies – and due to her performance this film will stay in my mind forever.

19. – Daniel Day-Lewis as Jack Slavin in “The Ballad of Jack and Rose”

Day-Lewis gives a remarkable performance in his most flawed film. He balances inner rage and compassionate love for his daughter Rose. You find yourself loathing his character due to his selfishness and incest riddled relationship with his daughter – yet you find it in your heart to forgive him, and to understand his true love for Rose.

18. – Paul Newman as Jack Rooney in “Road to Perdition”

Newman should have won a Supporting Actor Oscar for his performance in this film. I felt that Cooper winning was his make-up Oscar for not even being nominated for “American Beauty”. I feel that Newman gives one of his most subtle performances in this film. He’s the loving father figure to Tom Hanks, but has to chose between his own son (Daniel Craig) and Tom Hanks. One of the most heartbreaking scenes ever filmed is when Tom Hanks finally catches up with Newman.

17. – Daniel Craig as James Bond in “Casino Royal”

This is how you reboot a franchise! I am a James Bond super freak and I own them all. I’ve had a liking for each individual Bond (even George Lazenby). I’ve felt that the producers have always gotten it right for 007. I remember being pissed when they signed Craig, I was a strong supporter of Clive Owen (who I still think would have been a great Bond – check out ANY BMW Films add on Youtube and you’ll see my point). Daniel Craig gives us the perfect James Bond. He’s a stone cold killer. The way James Bond should be.

16. – Christian Bale as Patrick Bateman in “American Psycho”

I want to be Patrick Bateman (well…not the homicidal serial killer part). But deep down inside, don’t we all have an element of ourselves that is Patrick Bateman? Don’t we all from time to time get filled with disgust and greed? Or is it just me?

15. – Cate Blanchett as Sheba Hart in “Notes of a Scandal”

Blanchett is one of the most beautiful women I have ever seen, and she’s one of the greatest ACTORS ever. She’s just remarkable in everything she’s in (well…maybe not that last Indiana Jones movie). As Sheba Hart she engages into an inappropriate relationship with a 14 year old student of hers, which is both erotic and haunting. What she’s doing is wrong, but what gets done to her by Judi Dench is ten times worse.

14. – Alec Baldwin as Juan Tripp in “The Aviator”

Baldwin is remarkable in the way he’s rebuilt his career over the past decade. The guy went from being a tabloids wet dream. His personal life took a tremendous toll on his profession career, but with an Oscar nominated turn in “The Cooler” it spring boarded him into working with Scorsese, Robert DeNiro and his staple, “30 Rock”. As Juan Tripp he’s one of the most menacing corporate villains, standing second only to Gordon Gekko.

13. – Sean Penn as Paul Rivers in “21 Grams”

This is one of the most heartbreaking performances ever. How he won for “Mystic River” over “21 Grams” is bullshit. Probably because it was a Clint Eastwood film.

12. – Daniel Day-Lewis as Bill “the Butcher” Cutting in “Gangs of New York”.

Day-Lewis single handily saves this film from the utter nightmare it could have been. If he wasn’t in this film to counteract the terrible performance of Cameron Diaz and the miscasting of the decade of Leonardo DiCaprio – this film would have been a sheer train wreck of a great director’s most personal project. How he lost to Adrian Brody for “The Pianist”, I’ll never understand.

11. – Ted Levine as The Warden in “Shutter Island”

Levine was only in three scenes in this film. He had only one scene that last about ten minutes with dialogue. This is the perfect example of less is more; by showing us everything about this character without telling us one thing about him. Levine is absolutely jaw dropping in this role. He shows us what a great, great actor he really is. This film should pave the way for meatier roles on the horizon for Levine.

10. – David Strathairn as Edward R. Murrow in “Good Night, Good Luck”

I think there is always hesitation when an actor takes on the role of an icon like Murrow. David Strathairn has always been one of my favorite character actors – from his roles in “Eight Men Out”, “The River Wild” and “LA Confidential”. In “Good Night, Good Luck” he finally becomes the leading man that he deserves to be. He’s absolutely amazing as Murrow and gives the performance of his career.

9. – Heath Ledger as The Joker in “The Dark Knight” and Enis Del Mar in “Brokeback Mountain”

What can I say that hasn’t already been said about his performance as the Joker. I guess the SAG, BAFTA, Golden Globe and Oscar said all that there could be said. And for “Brokeback”, he was overshadowed by PSH for “Capote”. What a shame, a real shame. It’s hard for me to pick which performance of his is better? Sometimes I lean towards The Joker, and other times I lean towards Enis. Face it, they’re both perfect.

8 ½. – Daniel Day-Lewis as Guido Contini in “Nine”

Daniel Day-Lewis is the greatest actor I have ever seen. I will challenge anyone who claims that someone is better. Sure, you can throw around Bogart or Brando or DeNiro. But I will stack his performance in “My Left Foot” and “There Will Be Blood” against any Brando or DeNiro performance. In “Nine” Day-Lewis talks with a genuine Italian accent, and sings (though he’s no Dean Martin) in an Italian accent. He is brilliant in this film, just fucking brilliant.

8. – TIE: Philip Seymour Hoffman and Meryl Streep in “Doubt”

This is truly a team effort. The entire film is a battle of showmanship between Streep and Hoffman. The way they fight each other is as epic as Luke Skywalker battling Darth Vader. The display of their acting craft is monumental, and will bring anyone to their knees. Watch this if you haven’t seen it yet. It’s amazing to watch.

7. – George Clooney as Bob Barnes in “Syrianna”

Clooney completely broke his typecast in this role – more like fucking shattered it. He became an artist that year, actor, producer, director and writer. He’s a marvelous talent. This film is truly an ensemble piece that doesn’t have a lead actor – oil is the main focus and character of the film. But George Clooney brings the house down in his final scene. It floods me with overwhelming emotion every single time I see it.

6. – William Hurt as Richie Cussak in “A History of Violence”

This is the biggest example of less is more. The little screen time that Hurt is given, he uses it to the extreme. He’s absolutely unbelievable, and I think his character is much like that of Col. Kurtz in “Apocalypse Now”, he’s the final trial of the main character’s journey to return home to his family. His performance is burned into my brain. There are very few actors with raw talent like William Hurt.

5. – TIE: Christoph Waltz as Col. Hans Landa in “Inglorious Basterds” and Javier Bardem as Anton Chigurh in “No Country for Old Men”

This is much like Ledger’s role in “The Dark Knight”. There’s nothing more I can say about their PERFECT performance. There is a reason both of them swept critics awards, won the SAG, Golden Globes, BAFTA and Oscar. This was their major introduction to American audiences. That’s one helluva break through! To be honest, I do have to give the edge to Waltz. He’s amazing.

4. – Julianne Moore as Charlie in “A Single Man” and for Cathy Whitaker in “Far From Heaven”

Academy, please give her an Oscar already! I don’t care if it’s for a lifetime achievement award! Just someone, do something! She’s absolutely brilliant. ‘Nough said!

3. – Colin Firth as George in “A Single Man”.

Colin Firth gave a performance like nothing I’ve ever seen before. I’ve never see a performance that is so…empty. He’s unbelievably touching and gives a beautiful performance that brings me to my knees each time I see it. We need to see more Colin Firth. Now.

2. – Jeff Bridges as Ted Cole in “The Door in the Floor”

This is hands down Jeff Bridges finest performance. If you ever want to see an excellent, perfect, mind boggling performance, try and seek out Tod Williams’ “The Door in the Floor”. Bridges is heartbreaking, just plain heartbreaking. Ted Cole will stay in your heart forever.

1. – Daniel Day Lewis as Daniel Plainview in “There Will Be Blood”

This is the biggest tour-de-force performance ever on screen.