Top 25 1/2 Performances of the Decade

I intended on making a list of Actor, Actress, Supporting Actor and Supporting Actress (I did start with Supporting Actor). But I thought it would be better to lump them all into one solid and concrete list. I’m sure there is going to be much disagreement. So, let me know what you guys think.

25. – Richard Gere as Billy Flynn in “Chicago”

I honestly think Gere gets a bad rap – he’s an extremely talented actor who began the second act of his career with “Chicago”. They found the most unbelievable actor to sing and dance – and he knocked it out of the park. Gere supports this film on his shoulders and completely holds it together. His performances in this film paved the way for his roles in “The Hoax”, “I’m Not There”, and “Brooklyn’s Finest”. And what’s with “rom-coms”? Can people stop fucking saying that? It’s so annoying.

24. – Anne Hathaway as Kym in “Rachel Getting Married”

I didn’t see this film until about a couple of months ago. I don’t know why I strayed away from it for so long. I’ve always had this love for Jonathan Demme (even though I think “Silence of the Lambs” is grossly overrated and “Manhunter” is a far superior film). The way Hathaway breaks out of her typecast and breaks our hearts is wonderfully painful to watch. A quick note: I love the movie a lot, but the part I find most distracting (no, it’s not the wedding montage, I liked that part) is the actor who plays the best man of the wedding is like this shitty hybrid of George Clooney and Kevin Spacey. Weird.

23. – Ray Liotta as Henry Oak in “Narc”

Ray Liotta has made a whirlwind of shit. He’s always enjoyable for me, even if he is walking through his role in “Wild Hogs”. I can’t help but always be captivated by him, I think he’s an incredible actor and has this way of commanding your attention. His performance in “Narc” is just fantastic. He plays the clichéd rage induced cop who’s seeking the killer of his partner. Liotta gained about 40 pounds for his role – and what adds to the gaining of weight, is the realism of the flashback sequences where Liotta’s character appears fit and trim. If you haven’t seen this film, do so soon.

22. – Robert Downey, Jr. as Paul Avery in “Zodiac”

This seems like an easy sell, Downey, Jr. playing an alcoholic, drug addicted and charming beat reporter. But this was really the first role that he got to sink his teeth into since he’s troubled past. With his past experience with drugs and alcohol I feel as if Downey, Jr. could really play this character that spirals out of control to full authenticity.

21. – Mickey Rourke as Randy the Ram in “The Wrestler”

This is one of the best performances I have ever seen. What keeps this from getting higher on my list is the fact that I’m not sure how much actual “acting” Rourke does. I think he took elements of his personal life and mimicked them to Randy the Ram’s life. I know some people disagree, but I think that Penn’s winning his second Oscar for “Milk” was the correct performance to reward. Without “The Wrestler” Rourke would have fallen back to Eric Roberts land.

20. – Ellen Burstyn as Sara Goldfarb in “Requiem for a Dream”

The fact that Burstyn lost to Julia Roberts makes me sick. I like Julia Roberts, she’s cute, funny, and has an amazing sparkle in her eye. That being said: she’s not an Oscar winning actress (although more so than Bullock or Berry). Ellen Burstyn gives the performance of her career in this film. This film may be the roughy of all roughies – and due to her performance this film will stay in my mind forever.

19. – Daniel Day-Lewis as Jack Slavin in “The Ballad of Jack and Rose”

Day-Lewis gives a remarkable performance in his most flawed film. He balances inner rage and compassionate love for his daughter Rose. You find yourself loathing his character due to his selfishness and incest riddled relationship with his daughter – yet you find it in your heart to forgive him, and to understand his true love for Rose.

18. – Paul Newman as Jack Rooney in “Road to Perdition”

Newman should have won a Supporting Actor Oscar for his performance in this film. I felt that Cooper winning was his make-up Oscar for not even being nominated for “American Beauty”. I feel that Newman gives one of his most subtle performances in this film. He’s the loving father figure to Tom Hanks, but has to chose between his own son (Daniel Craig) and Tom Hanks. One of the most heartbreaking scenes ever filmed is when Tom Hanks finally catches up with Newman.

17. – Daniel Craig as James Bond in “Casino Royal”

This is how you reboot a franchise! I am a James Bond super freak and I own them all. I’ve had a liking for each individual Bond (even George Lazenby). I’ve felt that the producers have always gotten it right for 007. I remember being pissed when they signed Craig, I was a strong supporter of Clive Owen (who I still think would have been a great Bond – check out ANY BMW Films add on Youtube and you’ll see my point). Daniel Craig gives us the perfect James Bond. He’s a stone cold killer. The way James Bond should be.

16. – Christian Bale as Patrick Bateman in “American Psycho”

I want to be Patrick Bateman (well…not the homicidal serial killer part). But deep down inside, don’t we all have an element of ourselves that is Patrick Bateman? Don’t we all from time to time get filled with disgust and greed? Or is it just me?

15. – Cate Blanchett as Sheba Hart in “Notes of a Scandal”

Blanchett is one of the most beautiful women I have ever seen, and she’s one of the greatest ACTORS ever. She’s just remarkable in everything she’s in (well…maybe not that last Indiana Jones movie). As Sheba Hart she engages into an inappropriate relationship with a 14 year old student of hers, which is both erotic and haunting. What she’s doing is wrong, but what gets done to her by Judi Dench is ten times worse.

14. – Alec Baldwin as Juan Tripp in “The Aviator”

Baldwin is remarkable in the way he’s rebuilt his career over the past decade. The guy went from being a tabloids wet dream. His personal life took a tremendous toll on his profession career, but with an Oscar nominated turn in “The Cooler” it spring boarded him into working with Scorsese, Robert DeNiro and his staple, “30 Rock”. As Juan Tripp he’s one of the most menacing corporate villains, standing second only to Gordon Gekko.

13. – Sean Penn as Paul Rivers in “21 Grams”

This is one of the most heartbreaking performances ever. How he won for “Mystic River” over “21 Grams” is bullshit. Probably because it was a Clint Eastwood film.

12. – Daniel Day-Lewis as Bill “the Butcher” Cutting in “Gangs of New York”.

Day-Lewis single handily saves this film from the utter nightmare it could have been. If he wasn’t in this film to counteract the terrible performance of Cameron Diaz and the miscasting of the decade of Leonardo DiCaprio – this film would have been a sheer train wreck of a great director’s most personal project. How he lost to Adrian Brody for “The Pianist”, I’ll never understand.

11. – Ted Levine as The Warden in “Shutter Island”

Levine was only in three scenes in this film. He had only one scene that last about ten minutes with dialogue. This is the perfect example of less is more; by showing us everything about this character without telling us one thing about him. Levine is absolutely jaw dropping in this role. He shows us what a great, great actor he really is. This film should pave the way for meatier roles on the horizon for Levine.

10. – David Strathairn as Edward R. Murrow in “Good Night, Good Luck”

I think there is always hesitation when an actor takes on the role of an icon like Murrow. David Strathairn has always been one of my favorite character actors – from his roles in “Eight Men Out”, “The River Wild” and “LA Confidential”. In “Good Night, Good Luck” he finally becomes the leading man that he deserves to be. He’s absolutely amazing as Murrow and gives the performance of his career.

9. – Heath Ledger as The Joker in “The Dark Knight” and Enis Del Mar in “Brokeback Mountain”

What can I say that hasn’t already been said about his performance as the Joker. I guess the SAG, BAFTA, Golden Globe and Oscar said all that there could be said. And for “Brokeback”, he was overshadowed by PSH for “Capote”. What a shame, a real shame. It’s hard for me to pick which performance of his is better? Sometimes I lean towards The Joker, and other times I lean towards Enis. Face it, they’re both perfect.

8 ½. – Daniel Day-Lewis as Guido Contini in “Nine”

Daniel Day-Lewis is the greatest actor I have ever seen. I will challenge anyone who claims that someone is better. Sure, you can throw around Bogart or Brando or DeNiro. But I will stack his performance in “My Left Foot” and “There Will Be Blood” against any Brando or DeNiro performance. In “Nine” Day-Lewis talks with a genuine Italian accent, and sings (though he’s no Dean Martin) in an Italian accent. He is brilliant in this film, just fucking brilliant.

8. – TIE: Philip Seymour Hoffman and Meryl Streep in “Doubt”

This is truly a team effort. The entire film is a battle of showmanship between Streep and Hoffman. The way they fight each other is as epic as Luke Skywalker battling Darth Vader. The display of their acting craft is monumental, and will bring anyone to their knees. Watch this if you haven’t seen it yet. It’s amazing to watch.

7. – George Clooney as Bob Barnes in “Syrianna”

Clooney completely broke his typecast in this role – more like fucking shattered it. He became an artist that year, actor, producer, director and writer. He’s a marvelous talent. This film is truly an ensemble piece that doesn’t have a lead actor – oil is the main focus and character of the film. But George Clooney brings the house down in his final scene. It floods me with overwhelming emotion every single time I see it.

6. – William Hurt as Richie Cussak in “A History of Violence”

This is the biggest example of less is more. The little screen time that Hurt is given, he uses it to the extreme. He’s absolutely unbelievable, and I think his character is much like that of Col. Kurtz in “Apocalypse Now”, he’s the final trial of the main character’s journey to return home to his family. His performance is burned into my brain. There are very few actors with raw talent like William Hurt.

5. – TIE: Christoph Waltz as Col. Hans Landa in “Inglorious Basterds” and Javier Bardem as Anton Chigurh in “No Country for Old Men”

This is much like Ledger’s role in “The Dark Knight”. There’s nothing more I can say about their PERFECT performance. There is a reason both of them swept critics awards, won the SAG, Golden Globes, BAFTA and Oscar. This was their major introduction to American audiences. That’s one helluva break through! To be honest, I do have to give the edge to Waltz. He’s amazing.

4. – Julianne Moore as Charlie in “A Single Man” and for Cathy Whitaker in “Far From Heaven”

Academy, please give her an Oscar already! I don’t care if it’s for a lifetime achievement award! Just someone, do something! She’s absolutely brilliant. ‘Nough said!

3. – Colin Firth as George in “A Single Man”.

Colin Firth gave a performance like nothing I’ve ever seen before. I’ve never see a performance that is so…empty. He’s unbelievably touching and gives a beautiful performance that brings me to my knees each time I see it. We need to see more Colin Firth. Now.

2. – Jeff Bridges as Ted Cole in “The Door in the Floor”

This is hands down Jeff Bridges finest performance. If you ever want to see an excellent, perfect, mind boggling performance, try and seek out Tod Williams’ “The Door in the Floor”. Bridges is heartbreaking, just plain heartbreaking. Ted Cole will stay in your heart forever.

1. – Daniel Day Lewis as Daniel Plainview in “There Will Be Blood”

This is the biggest tour-de-force performance ever on screen.

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Top Ten Supporting Performances of the Decade – #8 Ralph Fiennes “In Bruges”.


“An Uzi? I’m not from South Central Los Angeles. I didn’t come here to shoot twenty black ten year olds in a drive-by. I want a normal gun for a normal person.”

“In Bruges” is a highly underrated film with great cast and story; but the real treat in the film is Ralph Fiennes who plays Harry Walters, the boss of the two hitmen (Colin Farrell and Brendan Gleeson) who are shacked up in Bruges under Walters’ direct orders. Fiennes has limited screen time and is mainly the focus of the prestige of the film. His performance can be equated much to the liking of William Hurt’s brilliant film stealing performance in “A History of Violence”. Fiennes shows up in Bruges in full form towards the end of the film to settle unfinished business. Fiennes is absolutely perfect in the film. He is so wickedly funny as he discusses situations that lay in the film. It’s amazing how Fiennes doesn’t look menacing himself, but when he takes a role like this, he looks and sounds evil. He deliverers his lines of dialogue through his teeth, he snarls and hisses his lines.

The most fascinating part about his character is he is also much like Hans Landa of “Inglorious Basterds”; meaning he is this essentially evil character, but what centers him is a sense of duty and honor. Walters has his “principles” and he sticks to them, right up until the end. He is a family man, and even though we see him lash out at his wife (calling her an “inanimate fucking object”), we still get the feeling that he is essentially a good father and husband and doesn’t allow his fits of rage and anger to erupt while around them. Or maybe he does.

What helps excel Fiennes’ performance is the excellent, excellent, excellent script written by Martin McDonagh (who also directed). The dialogue is so witty, and so well paced. It is stylized without being a British Tarantino knock off, ala Guy Richie. The script is remarkable; the core of the film circles around a much unforgivable act. Think of the worst thing you could do to someone, and then multiply it by two. The deep subject matter is made very bearable and strangely enjoyable by the witty banter these characters spit at one another. Especially Fiennes.

Fiennes displays an excellent amount of range as an actor, from his role in “The Quiz Show” to “Schindler’s List” to “The English Patient” to “An End of the Affair” to “In Bruges” and his small role in “The Hurt Locker”. I’ve always found Fiennes a remarkable actor, who has started an acting tree with his brothers. It’s much like the Baldwin’s, where Alec is obviously the best one. Harry Walters keeps you engaged and entertained as he goes on a shooting rampage throughout Bruges. If you’re not interested in seeing this film, suck it up and see it, if only for Ralph Fiennes.

Top Ten Supporting Performances of the Decade – #9 Josh Brolin “Planet Terror”.

“No more dead bodies for Da Da tonight.”

This is the role that started the ball rolling that allowed us the pleasure of Josh Brolin. If it wouldn’t have been for “Planet Terror”, we would have missed out on Brolin’s magnificent performances in “No Country for Old Men”, “W” and “Milk” and his upcoming roles in “True Grit” and “Jonah Hex”. I remember seeing the trailers for “Grindhouse” and being so excited for “Death Proof” and not caring less about “Planet Terror”. To take a quick sidestep, Brolin said he got a copy of the script of “No Country” and wanted to audition for the Coens. At that time, they had their sights set on Heath Ledger for the role of Llewellyn Moss. Ledger then decided to back out and take a well deserved rest from film. Brolin again tried to audition for the Coen Brothers and it wasn’t until he sent in an audition tape directed by Robert Rodriguez and shot by Quentin Tarantino that the Coens let Brolin read for the part. I can’t imagine a better audition tape then that! Okay, back to the task at hand. I’m sorry, but “Planet Terror” is a far superior film then “Death Proof”. It had all the elements of a great genre movie. The story was absurd – yet compelling, the script was air tight, the direction and cinematography were brilliant and the cast of the film was impeccable. Robert Rodriguez brought all these actors together, from bankable stars like Bruce Willis and Fergie to relatively unknowns to the masses – Freddy Rodriguez and Rose McGowan – to washed up actors like Josh Brolin, Michael Biehn, Jeff Fahey and Michael Parks.

As far as this blogger is concerned, Josh Brolin steals the show as Dr. William Block. I just love the name, William Block. The name sounds vague yet mysterious at the same time. Brolin is just marvelous as he navigates his way through his suspicions about his wife’s infidelities and a night at the hospital that is filled with zombie bitten patients, Josh Brolin steals the show. It makes me tense as Brolin sucks and chews on the glass thermometer that he keeps in his mouth. His goatee and glasses make him look tremendously threatening and he peers over his glasses with his eyes filled with accusations. Brolin’s straight forward Southern drawl (that he later revisits and prefects in “No Country”) is crisp, and filled with deep seeded anger and rage.

The physical acting ability he displays is a wonder to me. It’s as if inside of Block there is a caged animal that is bursting at the seams to break out, to cause chaos and let it rain. It’s as if his caged beast is rocking back and forth in its cage, just waiting to take over. The film itself is over the top and campy, but with Brolin’s performance it brings the film back to its roots, a horror film. I truly feel that his performance holds the film together, as soon as it starts to stretch itself a tad thin, Dr. William Block snaps it back. Whenever Brolin is on the screen, we’re captivated by him, we’re at his will. We know he’s a bad man without knowing anything about him or his past. Think about it for a second – we know very little about Dr. Block, but through Brolin’s perfect timing as an actor, and through the camera angles and shots that Rodriguez shows us, we know one thing for sure: Josh Brolin is one bad motherfucker.

Top Ten Suppoting Performances of the Decade (Male) – Richard Gere, “Chicago”.

Number 10 – Richard Gere as Billy Flynn in “Chicago”.

The ruling on Gere’s performance in “Chicago” is that he was a lead.  I disagree, but the Screen Actor’s Guild didn’t when he was nominated for Best Actor in a Lead Role, nor did the Golden Globes when he won the Golden Globe for Best Actor in a Motion Picture Musical or Comedy.  But, the Teen Choice Awards did nominate him for best movie “villain”…even though he wasn’t…  In any event, I seem to be in the minority on this, so I digress.  In Rob Marshall’s “Chicago”, the role of Billy Flynn was the role that held the film together, in a predominantly female cast – Billy Flynn, the smooth talking, suave and charismatic lawyer was the role for a talented actor like John Travolta, or Kevin Spacey – an actor who could not only act, but sing and dance as well, and both Spacey and Travolta had that talent and I’m sure they would have made a fine Billy Flynn.  Rob Marshall decided to go with an actor who hadn’t been in previous films where he sings and dances (although in Coppola’s “The Cotton Club” Gere does show some musical savvy).  Gere, to this point hadn’t had a whole lot of hits, “Autumn in New York”, “Runaway Bride”, “The Jackel” and Robert Altman’s “Dr. T and the Women” were all films he had done prior to 2002.  They were mostly forgettable films, it appear as if he played out his card in just starring in “chick flicks”.  But that year Gere came out with two stellar films, with two great performances, one in “Unfaithful“, and the second of course being “Chicago”.

Richard Gere as "Billy Flynn" in Rob Marshall's "Chicago".

Richard Gere magically pulled off the dance and singing numbers that were required by this George Clooney esq character.  Gere was perfect on the outside he had all the makings of Billy Flynn, a dashingly good-looking man, that oozes with wit and charm.  But what Gere lacked was the vocal ability to sing the three numbers in the film that he is apart of.  I remember first seeing the film in theaters seeing Gere gliding around in his first musical number singing in a campy Chicago accent.  But Gere did pull it off.  Then he pulled it off again, then again, and again.  Gere proved something in this film that he hadn’t prior, and very well may not in the future either (although I’m calling a dark horse nomination for Best Supporting Actor in the upcoming “Brooklyn’s Finest”).  He showed us he is an amazing talent, that he can act, sing and dance.

I tend to agree with Sean Penn that Golden Globes are meaningless, that they don’t hold much clout.  I agree to a certain point (although if I won one, I would thank my Mom, and cry for joy) but in certain cases, I do believe that they mean a lot, they sometimes get it right.  When Colin Farrell won for “In Bruges”, and the best picture going to “Babel” and when Richard Gere won his Globe for Best Actor (Musical/Drama) for “Chicago”.  I was just pleased that he was recognized, and I was pleased that the SAG recognized him that year too.  I am saying that Gere gave the best performance that year?  Absolutely not.  Daniel Day-Lewis gave the best performance that year in “Gangs of New York”, a close second would be a tie between Gere and Michael Caine for “The Quiet American” but the Academy didn’t even nominate Richard Gere, and completely ignored him.  He must have had the Mickey Rourke syndrome of having burnt, no wait, blown up his bridges by being a tough star to deal with when he was younger.  But of course the Academy was being political and making a statement with Awarding it’s Best Actor, to Adrien Brody for Roman Polanski’s holocaust film, “The Pianist”.

Richard Gere with fellow winner Renee Zellwiger at the 2002 Golden Globes.

Gere’s outstanding performance in “Chicago” launched him back into the A list where he made “The Hoax” which in an incredibly underrated film where he gained weight and wore a prosthetic nose about a wannabe writer who sold his BS story to publishing companies about his character, Clifford Irving, was set to help Howard Hughes write his memoirs.  He also stared in “I’m Not There” playing the Billy the Kid persona of Bob Dylan.  I am very excited about Gere’s upcoming “Brooklyn’s Finest” where in the restricted promo trailer shows Gere waking up to his alarm clock and sitting up in bed – quick cut to Gere at his kitchen table in front of a bowl of cereal where he sits, isolated, and reaches and puts the barrel of his service revolver into his mouth.  My only fear is Gere peaked with “Chicago”, but I am hoping that his best is still to come.